Close enough to see
Dreyer returns to faces at the trial. Small changes in Joan’s expression take on enormous weight.
Close-up / 1928
A face becomes the whole frame.
01 / Screenings
Screening format and subtitle details will be confirmed before ticketing opens.
02 / About the film
Carl Theodor Dreyer keeps the trial close. Faces and glances carry a film of unusual intensity and restraint.
03 / What to watch for
Dreyer returns to faces at the trial. Small changes in Joan’s expression take on enormous weight.
Plain backgrounds and shallow spaces draw attention away from the courtroom and back to the people in it.
The looks between Joan and her judges do not always line up. The trial feels tense even in stillness.
Film information: BFI. BFI ↗